Riding the Tube with Vita Sackville-West.
Today is the first day of Virago reading week being hosted by Rachel
. It seems appropriate to kick-off my participation by writing about the first Virago I ever read.
In 1992 I lived within walking distance of Charing Cross Road and the myriad bookshops on, and adjacent to, that famed stretch of book lovers’ London. I was certainly bookish back then, but two things conspired to keep me out of those shops. The first was that I had no money to buy books. I made just over 500 pounds a month and most of that went to housing, food, and transport. What little money I had left over I would use to buy tickets for concerts at the South Bank Centre and a season ticket to the Proms. The second was that I was 21 years old and living in a hostel with 27 other people my age. Who had time to spend in bookshops when there were all those hormones flying around? That doesn’t mean I never went into them. Just not as often as I would today if given the same proximity.
One day while combing through the cheapish paperbacks in the basement of the old Quinto Bookshop
I came across All Passion Spent
by Vita Sackville-West in a Virago Modern Classics edition. I don’t remember why I chose it, but I do remember very vividly reading it. There is a scene in the book where the protagonist, Lady Slane is making her way to Hampstead on the Northern Line of the Underground. The narrative intersperses her progress on the Tube with her thought process. Paragraphs of text are separated by indications of which stop the train is passing through as she thinks each thought. The reason I remember this so clearly is because as I read it, I was also on the Northern Line–passing through the very same stations the fictional Lady Slane had passed through 70 years earlier (Tottenham Court Road, Goodge Street, Warren Street, etc.).
The novel is the quiet, lovely, somewhat joyful and melancholy story of Lady Slane being independent–emancipated by the death of her husband–at the ripe age of 88. I thoroughly enjoyed reading All Passion Spent. It was a type of novel that I hadn’t really encountered before. And the back cover of the green banded Virago edition suggested that there were legions of similar works by women authors just waiting for me. Over the years I picked them up here and there, but it wasn’t until into my 30s that I really began to appreciate the niche that Virago filled. I am no expert on Virago, but it seemed like there was a time when they focused on out of print, hard to find works. But today it seems they even publish the likes of Margaret Atwood. So that niche, if indeed it ever was exclusively their focus, seems not to be as tightly focused as I originally thought.
Since Viragos, especially newer editions, aren’t really sold new in the US, I am unlikely to become a devotee of their newer offerings. I am happy to maintain, however, my interest in their older titles. This probably explains why I remain equally devoted to their older cover designs, but more on that later in the week.
Interesting to note that the first version of the now iconic diagrammatic map of the London Underground was created by Harry Beck in 1931, the same year All Passion Spent was published. This means that Lady Slane would have been looking at a map quite different from the one I looked at in 1992.
|A rather pretty Underground map from 1920. While maps as early as 1908 simplified or removed geography
to make the maps easier to read. Still, this pocket map by MacDonald Gill aims to depict some
of the geography in terms of the location of stations in relation to other stations. The use of cursive
lettering was unusual for the Underground which had been using the iconic Johnston sans serif typeface since 1916.
|This 1925 map by Fred Stingmore is even less geographically correct to make the map
easier to read. The use of the more common Johnston typeface also improves clarity.
This is probably the map that Lady Slane would have consulted in 1931.
|First sketched out in 1931, Harry Beck’s highly diagrammatic version of the Underground map system
is depicted here in a 1933 foldout map. What little evidence there is of geography, basically just
adherence to north/south/east/west and the Thames is highly stylized to maximize legibility.
This is the map that not only set the standard for the Underground to the present, it also prompted
hundreds of less than perfect adaptations in other cities as well as frequent references in popular culture.